I just published a new column in the Antenna blog at Madison. It's light on socially significant TV and high on TV pleasure. Here's the first paragraph.
America Needs Historical Comedies Now
One day this January, ABC picked up four new TV pilots: a crime procedural set in the nineteenth century with Edgar Allan Poe as detective-protagonist; a “sexy soap” set at iconic airline Pan Am in the 1960s; and two multicamera comedies. The post reporting the pick-ups on Deadline Hollywood said that one of the comedies, Work It, had a “Bosom Buddies vibe to it.” The description of the other, Lost and Found, said it was about a party girl whose life is “turned upside down when the conservative 18 year old son she gave up for adoption shows up on her doorstep,” suggesting another early-80s sitcom icon, Alex Keaton. In both cases, the comedies intertextually reference the TV past, but they don’t go so far as actually setting themselves in it. While I am all for multicamera comedies, the juxtaposition of the period dramas and contemporary comedies is worth thinking about.
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